On June 12, 1994, the Ko Shan Theatre in Hong Kong witnessed a remarkable convergence of Eastern and Western musical talent. That evening, former Black Panther lead singer Dou Wei opened for British alternative rock band Radiohead, marking a significant moment in the global music scene.

A Legendary Venue

Ko Shan Theatre, renowned as Hong Kong’s “holy land of rock,” had previously hosted iconic acts like Peter Murphy of Bauhaus, Public Enemy, and Ziggy Marley & The Melody Makers. In 1994, it became the backdrop for Radiohead’s tour stop in Hong Kong, just a year after the release of their debut album Pablo Honey and before the release of their My Iron Lung EP.

Dou Wei’s Performance

Dou Wei, having departed from Black Panther, showcased his solo work during the 40-minute set. His performance, primarily featuring tracks from his album Black Dream, captivated the audience with its avant-garde and post-punk influences. The Hong Kong media lauded the performance, with one newspaper remarking, “After watching this avant-garde and spectacular performance, do you still feel that mainland people are unsophisticated?”

Radiohead’s Appreciation

Radiohead, in search of a suitable opening act in Asia, found Dou Wei’s music through his track “Black Dream.”Impressed by its alignment with their style, they invited him to perform. Dou Wei’s band, including guitarist Zhou Fengling, who later composed “Anesthesia” for Faye Wong, delivered a performance that left a lasting impression on Radiohead. 

Cultural Exchange

The evening concluded with a heartfelt exchange of gifts between the two bands at a local bar. Zhou Fengling presented a pendant to Radiohead’s guitarist, who reciprocated with a pendant of his own. Interestingly, a year later, Zhou Fengling spotted the pendant in a magazine featuring Radiohead, highlighting the lasting connection forged that night.

Lasting Impact

The collaboration between Dou Wei and Radiohead exemplified a fusion of Eastern and Western musical influences.Despite subsequent offers from Radiohead to tour Europe and produce Dou Wei’s new album, logistical challenges and Dou Wei’s artistic direction led to their decline. Nonetheless, the 1994 performance remains a testament to the power of music in bridging cultural divides.​